6 Im Lied verwendete Ukulelengriffe: F, A, Dm, Bb, C, Gm
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Ansehen dieser Akkorde für Bariton
Transpose chords:
[Intro]
F A Dm Bb
F C F
F A Dm Bb
F Bb C
[Verse 1]
F A
In lipstick on the mirror
Dm Bb
Are the lyrics to my obituary
F A
In iambic pentameter, follow parameters
Dm Bb
Crossing my eyes, dot my t's
F A
I was delivered holding scissors
Dm Bb
I live deliberately, I’m a quitter
Dm
And a winner anyway
Gm C
Cause I never agreed to participate in this game
Bb C F Dm
Won't follow my dreams cause they all got me waking up screaming
Gm
I can’t let them go for me
C
After all, there's no I in team
[Chorus]
F
And I'd rather be normal
A
Yes, so normal
Dm Bb
I suggest that we keep this informal
F A Dm Bb
Cause a normal human being wouldn't need
F
To pretend to be normal
A
To be normal
Dm Bb
Well I guess that's the least that I owe ya
F Dm Gm C
To be normal in a way I couldn’t be
Bb C F A Dm Bb
C’mon c’mon and love me normally
[Verse 2]
F A Dm Bb
If I could live in third person, well I don’t think life would be much worse than it is
F A Dm N.C.
In the current tense, presently, this sentence ending in question marks or dot dot dot
F A Dm Bb
Is it courageous or escapist to leave the quarantine when you’re contagious?
Dm
It may just be a cold
Gm C
And besides I don’t wanna get old yeah
Bb C F Dm
I drank myself to death to be the afterlife of the party
Gm C
When the afterparty came, I was rolling in my grave
[Chorus]
F
And I'd rather be normal
A
Yes, so normal
Dm Bb
I suggest that we keep this informal
F A Dm Bb
Cause a normal human being wouldn't need
F
To pretend to be normal
A
To be normal
Dm Bb
Well I guess that's the least that I owe ya
F Dm Gm C
To be normal in a way I couldn’t be
Bb C F A Dm Bb
C’mon c’mon and love me normally
[Spoken]
F A Dm Bb
Now this is the part of the song where I talk to my audience.
F A Dm Bb
I like to tell 'em there's something I want from you hep cats tonight.
F A Dm Bb
I want you to look to your left, look to your right, your 12 o'clock, three o'clock, six o'clock,
F A Dm Bb
nine o'clock, rock around the clock tonight.
F A Dm Bb
And I want you to find those points of no return, those singularities, those event horizons,
F A Dm Bb
those burning rings of fire in the beautiful pupils and the beautiful eyes of the beautiful boy, girl,
F A Dm Bb
neither, both, or in-between that you brought with you tonight.
F A Dm Bb
And I want you to tell 'em how you really feel.
F A Dm Bb
I want you to tell 'em that you love the way that they don't stick out like sore middle fingers.
F A Dm Bb
That they crawl their way up the side of the bell curve, stick their flag in the peak,
F A Dm Bb
and slide their way back down. I want you to tell them that you love the way that they're not maladaptive,
F A Dm Bb
not malcontent, not malignant or maleficent,
F A Dm Bb
but rather that you love them...exactly the way that everybody else is.
[Pre-Chorus]
Bb C
I was nothing before so
F Dm
I couldn’t have asked to be born
Bb C F Dm
I'll be nothing again, so what am I between now and then?
Bb C
Is there nothing to fear
F Dm
Cause shit's getting weird
Gm
So to God who made this man
C
You better have one hell of a plan
[Chorus]
F
And I'd rather be normal
A
Yes, so normal
Dm Bb
I suggest that we keep this informal
F A Dm Bb
Cause a normal human being wouldn't need
F
To pretend to be normal
A
To be normal
Dm Bb
Well I guess that's the least that I owe ya
F Dm Gm C
To be normal in a way I couldn’t be
Bb C
C'mon c'mon yeah, I said come on yeah
Bb C
C'mon c'mon yeah, I said come on yeah
Bb C F A Dm
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